Searching for an adventurous story in the woods, a group of journalism students awaken a superhuman being from its lost cryo-chamber. A long night of man hunting and desperation ensues.
在芬兰的森林中，萨迦与丈夫乔恩迎来了为人父母的新篇章。然而萨迦的喜悦被一股令人发寒的疑惧笼罩——她对新生儿产生了不为人知的猜疑，而乔恩对此一无所知。随着她独自面对这令人不安的真相，夫妻间的裂痕悄然滋生。
夏娜和她的儿子本吉乘车前往奶奶家过感恩节，却在途中遭遇斑比袭击，侥幸活下来的母子并没有就此逃过一劫，而是成为斑比的猎杀目标。因人类的自私而从小就痛失母亲的斑比，在经历了一场骇人的变异后，化身复仇魔鹿，在森林中展开了一场关乎生死的清算猎杀。
两个好友麦迪和特里什被困在偏远泻湖中，与名叫塞托的危险虎鲸相遇，需要在生死关头中寻求逃脱机会。
哈尼夫和伊斯蒂回到儿时的家后，却被帕克德的死讯给震惊了。帕克德的死显然给他们的家带来了一些黑暗的东西，现在哈尼夫和伊斯蒂必须揭开与他们的过去有关的秘密。
四个靠网游认识的年轻网友，平时靠黑掉网络诈骗团伙恶作剧取乐。在一次玩票中，他们盯上了嚣张的加密货币亿万富豪唐?赫德，顺着对方网红女儿林赛公开的社交信息层层突破，试图从卧室里完成一场数千万美元的加密货币盗窃。原本只是寻求刺激的玩闹，随着计划一步步推进，彻底失控成一场跨越虚实的高风险网络战争，四人的现实人生也被彻底拖入深渊。
琳娜是一名新到机场工作的保洁员，她的同事绰号“麻雀”的姑娘在第一天时很热心的帮助了她，她们攀谈起来。“麻雀”还向琳娜介绍了自己的弟弟艾贝。 当晚琳娜错过了公车，“麻雀”便带琳娜回家过夜。 但恐怖的事情发生了，“麻雀”与艾贝的父母一家人有着变态的嗜好，他们虐待琳娜，并称她做“女儿”，琳娜能否逃脱这一切呢？
一对年轻夫妇在高速公路目睹一宗惨烈车祸，离开事发现场后不久，他们开始发现自己被神秘“乘客”尾随！这个如恶魔般纠缠不休的跟踪者，不达目的誓不罢休，令他们的公路旅行变成了一场噩梦。
A group of science students have discovered how to scientifically explain the paranormal. Their goal is to present their findings to their school board and petition to launch the very first parapsychology credited course at their university. Their thirteenth and final investigation lands them at Black Grove Psychiatric Asylum where they look into the urban legend of ,The Mole M...
666英里
艾莉亚在一场惨痛的事故中失去了女儿，她把女儿埋葬在了母亲村落后院。然而，这片土地却被诅咒了——如今，女儿复活了，而她自己却不再是原来的她了。
一个菲律宾混血青年在接管他父亲的汽车旅馆后，遭遇了潜伏在旅馆中的魔鬼的故事。
When, at the beginning of Deus Irae, Father Javier stares at a crucifix, his expressions and his hands suggest that the nerves are consuming him. A flashback reveals that this priest devotes his life to visiting families that claim to have seen things that do not belong to this world and cleansing their homes from the demons that try to possess them. But, upon returning to those houses, he notices that the evidence is always destroyed. This way, he discovers that a clan is after him, and must decide whether to hide from them or join them. In times when horror cinema tends to fall into the hands of directors that seek to build narratives that are introspective and close to reality, Pedro Cristiani goes back to old-school horror, where gore and the physical experience are above any other kind of feeling. A cinema that places the camera in front of the faces of the bloodiest demons and, instead of giving logic to them, chooses to face them whatever the cost.
